THE ORPHAN TRAIN navigates
on a QTVR re(con)FIGURE(d) 8
traintrack through a miniaturized landscape. Click on each Stop-Overs
to visit. Or navigate by:
THE DOUBLE LOOP FIGURE 8 TRAINTRACK
with its loops intersecting refers to the orphan/adoptees
dual history. Drawer locks, with no matching keys, stud its winding
trail and the many gaps and spaces in the pretzel-structure
like the genealogical rifts in the adoptees past, present
and future are bridged with door hinges. All of the assemblages
are constructed of disparate & reclaimed materials as there
is a play on using found objects with a fragmented or
unknown past, to reflect the foundling or adoptees own blurry
knowledge of her/his genealogical history.
For this project, it was important that I use materials with
a past history [worn, used, cast-off, discarded, forgotten] which
can refer to the hidden history of the adoptee. I am attracted to
the mystery of old,tattered objects the questions that cannot
be answered much like my own personal history as an adoptee with
little biological information. There is a richness to found pieces
as they allude to a past function and purpose. I take pleasure in
including cast-off, unwanted objects into larger productions: like
casting unknowns in a play. I am giving order to their
displacement.
I am attracted to old objects because in their disrepair and worn
surfaces, there is more room for inventing narratives. While evoking
nostalgia, weathered material also triggers different memories for
each person.